Atomos Shinobi 5"

Atomos Shinobi 5″

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Specifications

Size & Weight
WEIGHT
Approx. 210g
DIMENSIONS (W X H X D)
151mm x 91.5mm x 31.5 mm
MOUNTING POINTS
1/4”-20 screw mount. 1x top and 1x bottom
Environmental
OPERATING TEMPERATURE
Up to 40 degrees Celsius
Construction
BODY
Polycarbonate ABS
COOLING
Passive
MULTI-FUNCTION BUTTON
Power / lock Screen
TOUCH SCREEN
Capacitive Touch
Power
OPERATING POWER
4 – 7W
COMPATIBLE BATTERIES
NP-F series and supporting accessories. AtomX or other.
INPUT VOLTAGE
6.2V to 16.8V
BATTERY TIME (7.4 V)
Standby
2600mAh – 3hrs
5200mAh – 6hrs
7800mAh – 12hrs

Monitor
2600mAh – 1.5hrs
5200mAh – 3hrs
7800mAh – 6hrs

DC IN
via Battery Eliminator
Display
TOUCHSCREEN
SuperAtom IPS panel (capacitive touch)
SIZE
5.2″
RESOLUTION
1920 x 1080
PPI
427
BIT DEPTH
10-bit (8+2 FRC)
BACKLIGHT TYPE
Edge lit
BRIGHTNESS (CDM2 / NITS)
1000
ASPECT RATIO
16 : 9
COLOUR GAMUT
Rec.709
CALIBRATION SUPPORT
Atomos Calibrator with Calibrite ColourChecker Display Plus / ColourChecker Display Pro
Color Pipeline
GAMMA
Sony SLog / SLog2 / SLog3
Canon CLog / CLog2 / Clog3
ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600
Panasonic Vlog
JVC JLog1
RED Log3G10 / RED LogFilm
FujiFilm F-log
Nikon N-Log
PQ10k
HLG
GAMUT
Sony SGamut / SGamut3 / SGamut3.cine
Canon Cinema / DCI P3 / DCI P3+
Panasonic V Gamut
Arri Alexa Wide Gamut
Rec709 / BT.2020
JVC
RED WideGamut / RED DragonColor / DragonColor2 / RED Color2 / RED Color3 / RED Color4
3D LUT DISPLAY
.Cube Format
3D LUT 50/50
Yes
MONITORING MODES
Native / HLG / PQ / 3D LUT
HDR OUTPUT CONVERSION
No
Video Input
HDMI
1 x HDMI (1.4) – Up to 4Kp30
HDMI RAW
No
SDI
No
SDI RAW
No
BIT DEPTH
8 / 10-bit Video
VIDEO CHROMA SUBSAMPLING
YCbCr 4:2:0 & 4:2:2
Audio In/Out
HDMI
2ch 24Bit, input dependent
HEADPHONE OUT
3.5mm 2ch
Resolution and Frame Rates (Monitoring)
4K DCI
23.98p, 24p, 25p, 29.97p
4K UHD
23.98p, 24p, 25p, 29.97p
FHD 1920X1080
23.98p, 24p, 25p, 29.97p, 50p, 59.94p
1280X720
50p, 59.94p
Supported Media
SD
SD Card slot for LUTs / Firmware
FILE SYSTEM
FAT
On-Screen Tools
MultiScope Analysis View
Image, selectable Waveform, Histogram Vector Scopes and Audio bars
Waveform
Yes, 3 size / position
Histogram
Luma and RGB
RGB parade
Yes, 3 size / position
Vector scope
Yes, 2 size / position
1 x Zoom
Yes. 1:1 Pixel mapping for 4k
2 x Zoom
Yes
4 x Zoom
Yes
Focus peaking
Colour selected / threshold setting / colour / mono / edges only
False colour
Yes
Zebra
Yes, adjustable
Isolate colour channel
Blue Only
Cine Frame Guides
2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
Anamorphic desqueeze
1.33x, 1.5x, 2x
Display Flip
Vertical and Horizontal selfie mode

Additional information

Brand

Atomos

Screen Size

5"

Resolution

HD & 4K

SKU: Atomos-Shinobi Category: Tags: ,

Description

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    Size & Weight
    WEIGHT (WITH STAND)
    10kg
    DIMENSIONS MAIN BODY (W X H X D)
    552.5 x 389 x 79.4 mm
    DIMENSIONS WITH STAND (W X H X D)
    586.1 x 416.8 x 150 mm
    Power
    POWER INPUT
    AC 100-240V (50~60Hz)
    DC 12v
    POWER CONSUMPTION
    TBD
    Environmental
    OPERATING TEMPERATURE
    0°C to 35°C
    STORAGE TEMPERATURE
    -20°C to 60°C
    Display
    SIZE
    24″
    RESOLUTION
    1920 x 1080 (16:9)
    PIXEL PITCH
    0.213(H) x 0.213(V) mm
    COLOR DEPTH
    1.07B colors
    VIEWING ANGLE
    178°(H) / 178°(V)
    LUMINANCE OF WHITE
    400cd/m2
    CONTRAST RATIO
    1800:1
    DISPLAY AREA
    518(H) x 324(V) mm
    Video Input
    SDI INPUT
    2 x BNC (12G / 6G / 3G / HD / SD-SDI A/B Input)
    CVBS INPUT
    3 x BNC (Y(CVBS) PbPr Input)
    HDMI INPUT
    1 x HDMI
    SFP INPUT
    2 x SFP (SFP A/B Channel Input)
    REFERENCE INPUT
    1 x BNC
    Video Output
    SDI OUTPUT
    2 x BNC (12G / 6G / 3G / HD / SD-SDI A/B Channel Output)
    CVBS OUTPUT
    3 x BNC (Y(CVBS) PbPr Output)
    PROCESSED OUTPUT
    1 x BNC
    Audio In/Out
    AUDIO IN
    Analog Stereo (Phone Jack)
    AUDIO OUT
    Internal Stereo Speakers
    Analog Stereo (Phone Jack)
    SDI Input Signal Formats
    SMPTE ST 2082
    2160 (60 / 50 / 30 / 25 / 24p)
    SMPTE ST 2081
    2160 (30 / 25 / 24p)
    SMPTE ST 2036-1:2009
    2160 (23.98 / 24 / 25 / 29.97 / 30 / 50 / 59.94 / 60p)
    SMPTE-425M-A/B
    1080p (60 / 59.94 / 50 / 30 / 29.97 / 25 / 24 / 23.98 / 30sF / 29.97sF / 25sF / 24sF / 23.98sF)
    10801 (60 / 59.94 / 50)
    SMPTE-274M
    1080i (60 / 59.94 / 50)
    1080p (30 / 29.97 / 25 / 24 / 24sF / 23.98 / 23.98sF)
    SMPTE-296M
    720p (60 / 59.94 / 50)
    SMPTE-260M
    10351 (60 / 59.94)
    SMPTE-125M
    4801 (59.94)
    ITU-R BT.656
    576i (50)
    2011 SMPTE ST 2048-2
    2048 x 1080 (23.98 / 24 / 25 / 29.97 / 30p / psf, 47.95 / 48 / 50 / 59.94 / 60p)
    Remote Control
    LAN
    1 x RJ-45 Input (Ethernet), Remote Control
    REMOTE
    1 x RJ-45 Input, GPI Control
    Accessories
    BASIC ACCESSORIES
    AC Power Cord, Stand, Handle
    OPTIONAL ACCESSORIES
    V-mount, G-mount, Acrylic Filter, Rack Mount Kit, Carrying Case
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  • Atomos Sumo 19"
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    Atomos Sumo 19″

    Specifications

    Size & Weight
    WEIGHT
    6.200g
    DIMENSIONS (W X H X D)
    504mm x 310mm x 63mm
    MOUNTING POINTS
    Top: 4 x 1/4″-20, 2 x 3/8″
    Bottom: 6 x 1/4″-20, 3 x 3/8″
    Right: 4 x 1/4″-20, 2 x 3/8″
    Left: 2 x 1/4″-20, 1 x 3/8″
    VESA MOUNT
    100 x 100
    Environmental
    OPERATING TEMPERATURE
    Up to 40 degrees Celsius
    Construction
    COOLING
    Heat Sink + Actively controlled Fan
    TALLY LIGHT
    LED on the Front & Rear of the Device
    MULTI-FUNCTION BUTTON
    Power / lock Screen
    TOUCH SCREEN
    Capacitive Touch
    Power
    OPERATING POWER
    75W
    COMPATIBLE BATTERIES
    95Wh+ V-Lock / Anton Bauer Gold Mount via XLR Terminal (Optional Mounting Plates available)
    INPUT VOLTAGE
    DC 12V to 16.8V
    BATTERY VOLTAGE
    14.4V Nominal
    CONTINUOUS BATTERY POWER
    Dual Battery Input via dedicated 4-Pin XLR
    DC-IN CONNECTOR
    1 x 4-Pin XLR for included DC Power Supply
    D-TAP
    Via optional D-Tap to 4-Pin XLR Cable
    Display
    TOUCHSCREEN
    SuperAtom IPS panel (capacitive touch)
    SIZE
    19″
    RESOLUTION
    1920 x 1080
    PPI
    120
    BIT DEPTH
    10-bit (8+2 FRC)
    BACKLIGHT TYPE
    Edge-Lit + Optically Bonded Quantum Dot
    BRIGHTNESS (CDM2 / NITS)
    1200nit +/- 10%
    ASPECT RATIO
    16 : 9
    COLOUR GAMUT
    DCI P3
    CALIBRATION SUPPORT
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    Color Pipeline
    GAMMA
    Sony SLog / SLog2 / SLog3
    Canon CLog / CLog2 / Clog3
    Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600
    Panasonic Vlog
    JVC JLog1
    Red LogFilm / Log3G10 / Log3G12
    FujiFilm Flog
    PQ (HDR10)
    HLG
    Nikon N-Log
    GAMUT
    BT2020
    DCI P3
    DCI P3+
    PDCI P3 65
    Sony SGamut / SGamut3 / SGamut3.cine
    Canon Cinema
    Panasonic V Gamut
    Arri Alexa Wide Gamut
    Rec709
    JVC LS300
    F-Gamut
    Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
    3D LUT DISPLAY
    .Cube Format (17 & 33 points supported)
    3D LUT OUTPUT
    Loop out
    3D LUT 50/50
    Via Compare Option in LUT Menu
    MONITORING MODES
    Native / 709 / HLG / PQ / 3D LUT
    HDR OUTPUT CONVERSION
    HLG / PQ
    Color Management
    CALIBRATION
    ATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus
    DISPLAY CONTROLS
    Backlight, Lift, Gamma, Gain
    ATOMHDR
    Built-in Technical Log to HDR EOTF
    3D LUTS
    Load .Cube files from SSD into 8 LUT Slots On-Device – Use for Monitoring, bake into Recordings (optional), or apply to HDMI / SDI Output Signals
    LEGALIZE
    Full to Legal Range Conversion available via Input Menu
    Video Input
    HDMI
    1 x HDMI (2.0)
    SDI
    2 x 12G SDI (6G/3G Backwards Compatible) + 2 x 3G SDI
    BIT DEPTH
    8/10-Bit for Video / up to 12-Bit for RAW
    VIDEO CHROMA SUBSAMPLING
    YCbCr 4:2:0 & 4:2:2
    HDR
    HDMI Auto Detection
    Video Output
    HDMI
    1 x HDMI 2.0
    SDI LOOP / PLAY OUT
    1 x 12G SDI
    VIDEO CHROMA SUBSAMPLING
    4:2:2
    BIT DEPTH
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    HDR
    HDMI Auto Detection
    Video Signal Conversion
    HDMI TO SDI
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    SDI TO HDMI
    Supported
    Audio In/Out
    AUDIO QUALITY
    24-Bit / 48kHz
    AUDIO CODEC
    PCM
    HDMI
    8ch 24-Bit, Input dependent
    SDI
    12ch 24-Bit, Input dependent
    ANALOG AUDIO IN
    2 x 3-Pin XLR(F)
    ANALOG AUDIO OUT / HEADPHONE JACK
    2 x 3-Pin XLR(M)
    SPEAKERS
    2 x Built-In 5W Speakers
    HEADPHONE OUT
    3.5mm Jack
    Resolution and Frame Rates (Record, Monitor & Playback)
    6K RAW
    up to 6Kp30 via SDI
    4K RAW
    up to 4Kp60 via SDI
    2K RAW
    up to 2Kp240 via SDI
    4K DCI
    up to 4Kp60
    4K UHD
    up to UHDp60
    2K DCI 2048 X 1080
    up to 2Kp60
    FHD 1920 X 1080 PROGRESSIVE
    up to 1080p120
    FHD 1920 X 1080 PSF
    Only via Pulldown to Progressive
    FHD 1920 X 1080 INTERLACED
    1080i50 / 1080i60
    1280 X 720P
    up to 720p60
    Recording Codecs
    APPLE PRORES RAW
    ProRes RAW & RAW HQ
    APPLE PRORES
    HQ, 422, LT
    AVID DNXHD
    220x, 220, 145, 36 (.MOV Wrapper)
    AVID DNXHR
    HQX, HQ, SQ, LB (.MOV Wrapper)
    CDNG
    SDI RAW Inputs up to 4Kp30 only
    Recording Functions
    PRE-ROLL RECORDING
    8s HD / 2s 4K – ProRes & DNx only
    TIMELAPSE
    Supported
    ISO RECORDING
    4 x ISO up to 1080p60 (3G SDI Level A only)
    SWITCHED PROGRAM RECORD
    Supported
    Playback
    PLAYLIST
    Selected Clips, Favorites, or Combined
    LOOP
    Supported, with user-customizable In / Out Markers
    APPLE PRORES RAW
    Yes, Recorded clips only
    APPLE PRORES
    HQ, 422, LT (Linear PCM Audio only)
    AVID DNX
    DNxHD: 220x, 220, 145, 36
    DNxHR HQX, HQ, SQ, LB (Linear PCM Audio only)
    CDNG
    Not Supported
    Multi Input / Switching
    DUAL INPUT DISPLAY
    via Multi ISO Input Mode
    MULTIPLE SDI INPUT
    Up to 4 x 1080p60 (3G SDI Level A only)
    MULTIVIEW DISPLAY
    via Multi ISO Input Mode
    INPUT SWITCHING
    Supported
    Supported Media
    MASTER CADDY I
    Not Supported
    MASTER CADDY II
    Supported – Not supported with AtomX CAST or Atomos Connect Accessories attached
    MASTER CADDY III
    Supported
    SSDMINI
    Supported (AtomX SSDmini Handle required)
    CFAST 2.0
    Not Supported
    FILE SYSTEM
    exFAT
    INTERFACE
    SATA 3.0
    On-Screen Tools
    WAVEFORM
    3 Sizes – Adjustable Opacity & Brightness
    RGB PARADE
    3 Sizes – Adjustable Opacity & Brightness
    VECTOR SCOPE
    2 Sizes – Adjustable Opacity & Brightness
    1 X ZOOM
    Tap to Zoom
    2 X ZOOM
    Tap to Zoom
    FOCUS PEAKING
    3 Modes (Color, Black & White, Outline) with adjustable Outline Color & Peaking Intensity
    ZEBRA
    Adjustable Threshold (50% to 105%)
    ISOLATE COLOUR CHANNEL
    Blue Only
    CINE FRAME GUIDES
    2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
    SOCIAL FRAME GUIDES
    9:16, 1:1, 1.91:1, 4:5
    SAFE AREAS
    SMPTE Safe Title Area – 93% & 90%
    GRID MARKERS
    9 Grid
    ANAMORPHIC DESQUEEZE
    2x, 1.8x, 1.5x, 1.33x, 1.25x
    DISPLAY FLIP
    Vertical
    COLORIZED EXPOSURE
    Atomos False Color
    Onboard Signal Processing
    4K UHD DOWNSCALE FOR HD
    Available on loop out
    DCI CROP
    Available on loop out
    6K RAW TO 4K VIDEO LOOP OUT
    Available on loop out
    INTERLACED TO PROGRESSIVE
    2:2 & 3:2 Pulldown
    PSF TO PROGRESSIVE
    2:2 & 3:2 Pulldown
    Remote Control
    HDMI
    Trigger Recording via Camera Record Button – Supported Protocols: Canon, Sony, Atomos Open Standard, Timecode (Rec Run)
    SDI
    Trigger Recording via Camera Record Button – Supported Protocols: Arri, Canon, Ikegami, JVC, Panasonic, RED, Sony, Timecode (Rec Run)
    SERIAL 2.5MM JACK
    Start & Stop Recording via compatible LANC Remotes – Calibration via optional USB to Serial Cable
    Cut & Tag
    FCP XML
    Up to 10 Tags supported for each Clip & Multicam with Transitions in FCP XML
    Supported Applications
    XML
    Apple Final Cut Pro (.fcpxml)
    APPLE PRORES RAW
    Apple Final Cut Pro, Adobe Premiere, Avid Media Composer, Grass Valley Edius, ASSIMILATE SCRATCH, FilmLight Baselight
    VIDEO CODECS
    All NLE applications that support Apple ProRes & Avid DNx in .MOV Wrapper
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  • DJI High-Bright
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    DJI High-Bright

    Specifications

    Size & Weight
    WEIGHT
    DJI Video Transmitter: Approx. 350 g (excluding antennas)
    DJI High-Bright Remote Monitor: Approx. 727 g (excluding antennas)
    DJI Video Receiver: Approx. 350 g (excluding antennas)
    DIMENSIONS
    DJI Video Transmitter: 127 x 87 x 26 mm (L x W x H, excluding antennas)
    DJI High-Bright Remote Monitor: 213 x 135 x 51 mm (L x W x H, excluding antennas)
    DJI Video Receiver: 127 x 87 x 26 mm (L x W x H, excluding antennas)
    Power
    POWER CONSUMPTION
    DJI Video Transmitter: 11 W
    DJI Video Receiver: 9 W
    POWER SUPPLY VOLTAGE
    6 to 18 V
    OUTPUT VOLTAGE
    Power output port: 6 to 18 V
    OPERATING TIME
    DJI Video Transmitter: 3 hours 40 minutes
    Measured at room temperature (25°C / 77°F) with a fully charged WB37 Intelligent Battery.

    DJI High-Bright Remote Monitor: 2 hours
    Measured at room temperature (25°C / 77°F) with a fully charged WB37 Intelligent Battery.

    DJI Video Receiver: 3 hours 50 minutes
    Tested at room temperature (25°C / 77°F) when powered by a fully charged WB37 Intelligent Battery and used with the DJI Video Transmitter.

    Environmental
    OPERATING TEMPERATURE
    -10° to 45° C (14° to 113° F)
    When using the WB37 Intelligent Battery, the recommended operating temperature is above 0° C (32° F). Take measures to keep the battery warm when using in temperatures below 0° C (32° F).
    Display
    SCREEN SIZE
    7-inch wide color gamut touchscreen display
    MAX BRIGHTNESS
    1,500-nit high-bright monitor
    Wireless Transmission
    VIDEO TRANSMISSION SYSTEM
    O3 Pro
    OPERATING FREQUENCY
    When using the DJI Video Transmitter with the DJI High-Bright Remote Monitor:
    Non-DFS Frequency Band:
    2.400 – 2.484 GHz
    5.150 – 5.250 GHz
    5.725 – 5.850 GHz

    DFS Frequency Band:
    5.250 – 5.350 GHz
    5.470 – 5.600 GHz
    5.650 – 5.725 GHz

    When using the DJI Video Transmitter with the DJI Video Receiver:
    Non-DFS Frequency Band:
    2.4000 – 2.4835 GHz
    5.150 – 5.250 GHz
    5.725 – 5.850 GHz

    DFS Frequency Band:
    5.250 – 5.350 GHz
    5.470 – 5.725 GHz
    5.725 – 5.850 GHz

    In some countries and regions, the 5.1 / 5.2 / 5.8 GHz frequencies are prohibited, or the 5.1 / 5.2 GHz frequencies are only allowed for indoor use. Check local laws and regulations for more information. 5.6000 – 5.650 GHz is not used.

    TRANSMITTER POWER (EIRP)
    When using the DJI Video Transmitter with the DJI High-Bright Remote Monitor:
    2.400 – 2.484 GHz:
    <33 dBm (FCC)
    <20 dBm (SRRC / CE / MIC)

    5.150 – 5.250 GHz:
    <23 dBm (FCC / SRRC / MIC)

    5.250 – 5.350 GHz:
    <30 dBm (FCC)
    <23 dBm (SRRC / MIC)

    5.470 – 5.600 GHz, 5.650 – 5.725 GHz:
    <30 dBm (FCC)
    <23 dBm (CE / MIC)

    5.725 – 5.850 GHz:
    <33 dBm (FCC / SRRC)
    <14 dBm (CE)

    When using the DJI Video Transmitter with the DJI Video Receiver:
    2.4000 – 2.4835 GHz:
    <33 dBm (FCC)
    <20 dBm (SRRC / CE / MIC)

    5.725 – 5.850 GHz:
    <33 dBm (FCC)
    <14 dBm (CE)
    <23 dBm (SRRC)

    MAX BANDWIDTH
    40 MHz
    MAX BITRATE
    40 Mbps
    MAX TRANSMISSION DISTANCE
    6 km (FCC)
    4 km (CE / SRRC / MIC)
    Measured in open environments without obstructions or interference.
    VIDEO TRANSMISSION LATENCY
    70 ms
    Measured when shooting 1080p / 60fps video.
    Resolution and Frame Rates
    INPUT VIDEO FORMAT
    DJI Video Transmitter:
    1080p: 23.98 / 24 / 25 / 29.97 / 30 / 50 / 59.94 / 60fps
    720p: 50 / 59.95 / 60fps
    OUTPUT VIDEO FORMAT
    When using the DJI Video Transmitter with the DJI High-Bright Remote Monitor:
    1080p: 23.98 / 24 / 25 / 29.97 / 30 / 50 / 59.94 / 60fps
    720p: 50 / 59.95 / 60fps

    When using the DJI Video Transmitter with the DJI Video Receiver:
    1080p: 23.98 / 24 / 25 / 29.97 / 30 / 50 / 59.94 / 60fps
    720p: 50 / 59.94 / 60fps

    When using the Ronin 4D Video Transmitter with the DJI Video Receiver:
    1080p: 24 / 25 / 30 / 50 / 60fps

    Audio In/Out
    INPUT AUDIO FORMAT
    SDI embedded, HDMI embedded
    OUTPUT AUDIO FORMAT
    PCM
    Recording Codecs
    VIDEO CODING FORMAT
    H.264
    Other Features
    MIRROR CONTROL MODE SUPPORTED CAMERAS
    ZV1 / A7 III / A7S III / A7M III / A7R III / A7R IV / A7 IV / FX3 / A7S II / A6600 / A6400 and all Sony cameras that support BRAVIA (HDMI control)
    ADDITIONAL CAPABILITIES
    Output of HDMI and SDI signals
    Independent recording and playback
    Remote parameter setting and remote control
    Accessories
    INCLUDED IN THE BOX
    High-Bright Remote Monitor x 1
    Remote Monitor Hood x 1
    NP-F Battery Adapter (RX) x 1
    WB37 Intelligent Battery x 1
    WB37 Battery Charging Hub (USB-C) x 1
    1.5mm Ball-End Hex Key x 1
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  • Atomos Ninja 5"
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    Atomos Ninja 5″

    Specifications

    Size & Weight
    WEIGHT
    360g
    DIMENSIONS (W X H X D)
    151mm x 91.5mm x 31 mm
    MOUNTING POINTS
    Top: 1 x 1/4″-20 or 3/8″ with anti rotational points
    Bottom: 1 x 1/4″-20 or 3/8″ with anti rotational points
    Environmental
    OPERATING TEMPERATURE
    Up to 40 degrees Celsius
    Construction
    BODY
    Aluminium Alloy Chassis with ABS Polycarbonate Rear Enclosure
    COOLING
    Heat Sink + Actively controlled Fan
    TALLY LIGHT
    LED on the Rear of the Device
    MULTI-FUNCTION BUTTON
    Power / lock Screen
    ATOMXPANSION SLOT
    Integrated into Battery Slot
    TOUCH SCREEN
    Capacitive Touch
    Power
    OPERATING POWER
    10 – 22W
    COMPATIBLE BATTERIES
    1 x NP-F / L-Series
    INPUT VOLTAGE
    6.2V to 16.8V
    BATTERY RUNTIME
    5200mAh: Up to 2 Hours
    7800mAh: Up to 3 Hours
    DC IN
    Via locking DC Jack (5.5mm OD & 2.1mm ID) on Battery Eliminator
    D-TAP
    Via Battery Eliminator and optional D-Tap to DC-Barrel Cable
    FAN CONTROL
    Low, Medium, Auto / Turbo Cool / Dim Display
    Display
    TOUCHSCREEN
    SuperAtom IPS panel (capacitive touch)
    SIZE
    5.2″
    RESOLUTION
    1920 x 1080
    VIEWING ANGLE
    178 + H & V
    PPI
    423
    BIT DEPTH
    10-bit (8+2 FRC)
    BACKLIGHT TYPE
    Edge lit
    BRIGHTNESS (CDM2 / NITS)
    1000
    ASPECT RATIO
    16 : 9
    COLOUR GAMUT
    Rec.709
    CALIBRATION SUPPORT
    ATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus
    Color Pipeline
    GAMMA
    Sony SLog / SLog2 / SLog3
    Canon CLog / CLog2 / Clog3
    Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600
    Arri LogC4
    Panasonic Vlog
    JVC JLog1
    Red LogFilm / Log3G10 / Log3G12
    FujiFilm Flog, PQ (HDR10)
    HLG
    Nikon N-Log
    Z CAM Z-Log2
    Olympus OM-Log400 / Flat
    Leica L-Log
    GAMUT
    BT2020
    DCI P3
    PDCI P3 65
    Sony SGamut / SGamut3 / SGamut3.cine
    Canon Cinema / DCI P3 / DCI P3+
    Panasonic V Gamut
    Arri Alexa Wide Gamut Rec709
    JVC LS300
    Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
    3D LUT DISPLAY
    .Cube Format (17 & 33 points supported)
    3D LUT OUTPUT
    Loop out
    3D LUT 50/50
    Via Compare Option in LUT Menu
    MONITORING MODES
    Native / HLG / PQ / 3D LUT
    HDR OUTPUT CONVERSION
    Camera Log to HLG / PQ
    Color Management
    CALIBRATION
    ATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus
    DISPLAY CONTROLS
    Backlight, Lift, Gamma, Gain
    ATOMHDR
    Built-in Technical Log to HDR EOTF
    3D LUTS
    Load .Cube files from SSD into 8 LUT Slots On-Device – Use for Monitoring, bake into Recordings (optional), or apply to HDMI / SDI Output Signals
    LEGALIZE
    Full to Legal Range Conversion available via Input Menu
    Video Input
    HDMI
    1 x HDMI (2.0)
    SDI
    1 x 12G SDI (optional Atomos Connect Accessory required)
    BIT DEPTH
    8/10-Bit for Video / up to 12-Bit for RAW
    VIDEO CHROMA SUBSAMPLING
    YCbCr 4:2:0 & 4:2:2
    HDR
    HDMI Auto Detection
    Video Output
    HDMI
    1 x HDMI 2.0
    VIDEO CHROMA SUBSAMPLING
    4:2:2
    BIT DEPTH
    10-bit Video
    Video Signal Conversion
    SDI TO HDMI
    Supported (optional Atomos Connect Accessory required)
    Audio In/Out
    AUDIO QUALITY
    24-Bit / 48kHz
    AUDIO CODEC
    PCM
    HDMI
    8ch 24-Bit, Input dependent
    SDI
    12ch 24-Bit, Input dependent
    ANALOG AUDIO IN
    3.5mm Jack
    ANALOG AUDIO OUT / HEADPHONE JACK
    3.5mm Jack
    AUDIO INPUT DELAY
    Frame Delay on Analog Input + Automatic Offset Calibration via AtomOS
    Resolution and Frame Rates (Record, Monitor & Playback)
    6K RAW
    up to 6Kp30 via HDMI & 6Kp30 via SDI (optional Atomos Connect Accessory required for SDI)
    4K RAW
    up to 4Kp60 via HDMI / SDI (optional Atomos Connect Accessory required for SDI)
    3.5K ANAMORPHIC RAW
    up to 3.5Kp60 via HDMI
    2K RAW
    up to 2Kp240 (optional Atomos Connect Accessory required for SDI)
    4K DCI
    up to 4Kp60
    4K UHD
    up to UHDp60
    2K DCI 2048 X 1080
    up to 2Kp60 (optional Atomos Connect Accessory required for SDI)
    FHD 1920 X 1080 PROGRESSIVE
    up to 1080p120
    FHD 1920 X 1080 PSF
    Only via Pulldown to Progressive
    FHD 1920 X 1080 INTERLACED
    1080i50 / 1080i60
    1280 X 720P
    up to 720p60
    Recording Codecs
    APPLE PRORES RAW
    ProRes RAW & RAW HQ
    APPLE PRORES
    HQ, 422, LT
    AVID DNXHD
    220x, 220, 145, 36 (.MOV Wrapper – .MXF Support coming soon)
    AVID DNXHR
    HQX, HQ, SQ, LB (.MOV Wrapper – .MXF Support coming soon)
    H.265
    XQ, HQ, MQ, LQ (.MOV Wrapper)
    Recording Functions
    CAMERA TO CLOUD
    H.265 uploaded to Atomos Edit, Adobe Frame.io, Sony CI Media (optional Atomos Connect Accessory required)
    SIMULTANEOUS PROXY RECORDING
    ProRes RAW / ProRes / DNx + H.265 Proxy in C2C Mode (optional Atomos Connect Accessory required)
    PRE-ROLL RECORDING
    8s HD / 2s 4K – ProRes & DNx only
    TIMELAPSE
    Supported
    GANG CONTROL
    Via AirGlu™ SYNC Timecode Network (optional Atomos Connect Accessory required)
    SCHEDULED RECORDING
    At specified Time of Day or after a specified Time has elapsed
    Playback
    PLAYLIST
    Selected Clips, Favorites, or Combined
    LOOP
    Supported, with user-customizable In / Out Markers
    APPLE PRORES RAW
    Yes, Recorded clips only
    APPLE PRORES
    HQ, 422, LT (Linear PCM Audio only)
    AVID DNX
    DNxHD: 220x, 220, 145, 36
    DNxHR HQX, HQ, SQ, LB (Linear PCM Audio only)
    H.265
    Recorded clips only
    SCHEDULED PLAYBACK
    At specified Time of Day or after a specified Time has elapsed
    Multi Input / Switching
    MULTIPLE HDMI INPUTS
    Supported (optional AtomX CAST Switching Dock required)
    MULTIVIEW DISPLAY
    Supported (optional AtomX CAST Switching Dock required)
    MULTIVIEW OUTPUT
    Supported (optional AtomX CAST Switching Dock required)
    PICTURE IN PICTURE (PIP)
    Supported (optional AtomX CAST Switching Dock required)
    GRAPHIC OVERLAYS
    Supported (optional AtomX CAST Switching Dock required)
    MEDIA POOL STORAGE
    8 PNG Overlays (optional AtomX CAST Switching Dock required)
    INPUT TRANSITIONS
    Fade to White or Black (optional AtomX CAST Switching Dock required)
    Supported Media
    MASTER CADDY I
    Not Supported
    MASTER CADDY II
    Supported – Not supported with AtomX CAST or Atomos Connect Accessories attached
    MASTER CADDY III
    Supported
    SSDMINI
    Supported
    CFAST 2.0
    Supported via optional AtomX CFast 2.0 Adapter
    NETWORK
    Capture to Cloud via Atomos Cloud Studio (optional Atomos Connect Accessory required)
    FILE SYSTEM
    exFAT
    INTERFACE
    SATA 3.0
    On-Screen Tools
    WAVEFORM
    3 Sizes – Adjustable Opacity & Brightness
    RGB PARADE
    3 Sizes – Adjustable Opacity & Brightness
    VECTOR SCOPE
    3 Sizes – Adjustable Opacity & Brightness
    1 X ZOOM
    Tap to Zoom
    2 X ZOOM
    Tap to Zoom
    FOCUS PEAKING
    3 Modes (Color, Black & White, Outline) with adjustable Outline Color & Peaking Intensity
    ZEBRA
    Adjustable Threshold (50% to 105%)
    ISOLATE COLOUR CHANNEL
    Blue Only
    CINE FRAME GUIDES
    6 Presets & Custom Frame Guide Calculator
    SOCIAL FRAME GUIDES
    4 Presets & Custom Frame Guide Calculator
    SAFE AREAS
    SMPTE Safe Title Area – 93% & 90%
    GRID MARKERS
    9 Grid
    ANAMORPHIC DESQUEEZE
    2x, 1.8x, 1.79x, 1.65x, 1.6x, 1.5x, 1.33x, 1.25x
    DISPLAY FLIP
    Vertical
    COLORIZED EXPOSURE
    Atomos False Color, EL Zone System, Arri False Color
    FRAME GRAB + ONION SKIN OVERLAY
    Capture lossless 1920 x 1080 Pixel Frame Grab & Overlay with various Position + Transparency Options
    Onboard Signal Processing
    4K UHD DOWNSCALE FOR HD
    Available on loop out
    DCI CROP
    Available on loop out
    INTERLACED TO PROGRESSIVE
    2:2 & 3:2 Pulldown
    PSF TO PROGRESSIVE
    2:2 & 3:2 Pulldown
    Remote Control
    HDMI
    Trigger Recording via Camera Record Button – Supported Protocols: Canon, Sony, Atomos Open Standard, Timecode (Rec Run)
    SDI
    Trigger Recording via Camera Record Button – Supported Protocols: Arri, Canon, Ikegami, JVC, Panasonic, RED, Sony, Timecode (Rec Run) (optional Atomos Connect Accessory required)
    SERIAL 2.5MM JACK
    Start & Stop Recording via compatible LANC Remotes – Calibration via optional USB to Serial Cable
    BLUETOOTH LE
    Via AtomRemote App (optional Atomos Connect Accessory required)
    WIRELESS RF
    AirGlu™ Gang Control (optional Atomos Connect Accessory required)
    External Device Control
    SERIAL 2.5MM JACK
    Z CAM Camera Control via Remote to USB-C Cable
    Cut & Tag
    FCP XML
    Up to 10 Tags supported for each Clip
    Supported Applications
    XML
    Apple Final Cut Pro (.fcpxml)
    APPLE PRORES RAW
    Apple Final Cut Pro, Adobe Premiere, Avid Media Composer, Grass Valley Edius, ASSIMILATE SCRATCH, FilmLight Baselight
    VIDEO CODECS
    All NLE applications that support Apple ProRes, Avid DNx and H.265 in .MOV Wrapper
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