Specifications
Size & Weight | |||||
|---|---|---|---|---|---|
WEIGHT | 6.200g | ||||
DIMENSIONS (W X H X D) | 504mm x 310mm x 63mm | ||||
MOUNTING POINTS | Top: 4 x 1/4″-20, 2 x 3/8″ Bottom: 6 x 1/4″-20, 3 x 3/8″ Right: 4 x 1/4″-20, 2 x 3/8″ Left: 2 x 1/4″-20, 1 x 3/8″ | ||||
VESA MOUNT | 100 x 100 | ||||
Environmental | |||||
OPERATING TEMPERATURE | Up to 40 degrees Celsius | ||||
Construction | |||||
COOLING | Heat Sink + Actively controlled Fan | ||||
TALLY LIGHT | LED on the Front & Rear of the Device | ||||
MULTI-FUNCTION BUTTON | Power / lock Screen | ||||
TOUCH SCREEN | Capacitive Touch | ||||
Power | |||||
OPERATING POWER | 75W | ||||
COMPATIBLE BATTERIES | 95Wh+ V-Lock / Anton Bauer Gold Mount via XLR Terminal (Optional Mounting Plates available) | ||||
INPUT VOLTAGE | DC 12V to 16.8V | ||||
BATTERY VOLTAGE | 14.4V Nominal | ||||
CONTINUOUS BATTERY POWER | Dual Battery Input via dedicated 4-Pin XLR | ||||
DC-IN CONNECTOR | 1 x 4-Pin XLR for included DC Power Supply | ||||
D-TAP | Via optional D-Tap to 4-Pin XLR Cable | ||||
Display | |||||
TOUCHSCREEN | SuperAtom IPS panel (capacitive touch) | ||||
SIZE | 19″ | ||||
RESOLUTION | 1920 x 1080 | ||||
PPI | 120 | ||||
BIT DEPTH | 10-bit (8+2 FRC) | ||||
BACKLIGHT TYPE | Edge-Lit + Optically Bonded Quantum Dot | ||||
BRIGHTNESS (CDM2 / NITS) | 1200nit +/- 10% | ||||
ASPECT RATIO | 16 : 9 | ||||
COLOUR GAMUT | DCI P3 | ||||
CALIBRATION SUPPORT | ATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus | ||||
Color Pipeline | |||||
GAMMA | Sony SLog / SLog2 / SLog3 Canon CLog / CLog2 / Clog3 Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600 Panasonic Vlog JVC JLog1 Red LogFilm / Log3G10 / Log3G12 FujiFilm Flog PQ (HDR10) HLG Nikon N-Log | ||||
GAMUT | BT2020 DCI P3 DCI P3+ PDCI P3 65 Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema Panasonic V Gamut Arri Alexa Wide Gamut Rec709 JVC LS300 F-Gamut Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut | ||||
3D LUT DISPLAY | .Cube Format (17 & 33 points supported) | ||||
3D LUT OUTPUT | Loop out | ||||
3D LUT 50/50 | Via Compare Option in LUT Menu | ||||
MONITORING MODES | Native / 709 / HLG / PQ / 3D LUT | ||||
HDR OUTPUT CONVERSION | HLG / PQ | ||||
Color Management | |||||
CALIBRATION | ATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus | ||||
DISPLAY CONTROLS | Backlight, Lift, Gamma, Gain | ||||
ATOMHDR | Built-in Technical Log to HDR EOTF | ||||
3D LUTS | Load .Cube files from SSD into 8 LUT Slots On-Device – Use for Monitoring, bake into Recordings (optional), or apply to HDMI / SDI Output Signals | ||||
LEGALIZE | Full to Legal Range Conversion available via Input Menu | ||||
Video Input | |||||
HDMI | 1 x HDMI (2.0) | ||||
SDI | 2 x 12G SDI (6G/3G Backwards Compatible) + 2 x 3G SDI | ||||
BIT DEPTH | 8/10-Bit for Video / up to 12-Bit for RAW | ||||
VIDEO CHROMA SUBSAMPLING | YCbCr 4:2:0 & 4:2:2 | ||||
HDR | HDMI Auto Detection | ||||
Video Output | |||||
HDMI | 1 x HDMI 2.0 | ||||
SDI LOOP / PLAY OUT | 1 x 12G SDI | ||||
VIDEO CHROMA SUBSAMPLING | 4:2:2 | ||||
BIT DEPTH | 10-bit Video | ||||
HDR | HDMI Auto Detection | ||||
Video Signal Conversion | |||||
HDMI TO SDI | Supported | ||||
SDI TO HDMI | Supported | ||||
Audio In/Out | |||||
AUDIO QUALITY | 24-Bit / 48kHz | ||||
AUDIO CODEC | PCM | ||||
HDMI | 8ch 24-Bit, Input dependent | ||||
SDI | 12ch 24-Bit, Input dependent | ||||
ANALOG AUDIO IN | 2 x 3-Pin XLR(F) | ||||
ANALOG AUDIO OUT / HEADPHONE JACK | 2 x 3-Pin XLR(M) | ||||
SPEAKERS | 2 x Built-In 5W Speakers | ||||
HEADPHONE OUT | 3.5mm Jack | ||||
Resolution and Frame Rates (Record, Monitor & Playback) | |||||
6K RAW | up to 6Kp30 via SDI | ||||
4K RAW | up to 4Kp60 via SDI | ||||
2K RAW | up to 2Kp240 via SDI | ||||
4K DCI | up to 4Kp60 | ||||
4K UHD | up to UHDp60 | ||||
2K DCI 2048 X 1080 | up to 2Kp60 | ||||
FHD 1920 X 1080 PROGRESSIVE | up to 1080p120 | ||||
FHD 1920 X 1080 PSF | Only via Pulldown to Progressive | ||||
FHD 1920 X 1080 INTERLACED | 1080i50 / 1080i60 | ||||
1280 X 720P | up to 720p60 | ||||
Recording Codecs | |||||
APPLE PRORES RAW | ProRes RAW & RAW HQ | ||||
APPLE PRORES | HQ, 422, LT | ||||
AVID DNXHD | 220x, 220, 145, 36 (.MOV Wrapper) | ||||
AVID DNXHR | HQX, HQ, SQ, LB (.MOV Wrapper) | ||||
CDNG | SDI RAW Inputs up to 4Kp30 only | ||||
Recording Functions | |||||
PRE-ROLL RECORDING | 8s HD / 2s 4K – ProRes & DNx only | ||||
TIMELAPSE | Supported | ||||
ISO RECORDING | 4 x ISO up to 1080p60 (3G SDI Level A only) | ||||
SWITCHED PROGRAM RECORD | Supported | ||||
Playback | |||||
PLAYLIST | Selected Clips, Favorites, or Combined | ||||
LOOP | Supported, with user-customizable In / Out Markers | ||||
APPLE PRORES RAW | Yes, Recorded clips only | ||||
APPLE PRORES | HQ, 422, LT (Linear PCM Audio only) | ||||
AVID DNX | DNxHD: 220x, 220, 145, 36 DNxHR HQX, HQ, SQ, LB (Linear PCM Audio only) | ||||
CDNG | Not Supported | ||||
Multi Input / Switching | |||||
DUAL INPUT DISPLAY | via Multi ISO Input Mode | ||||
MULTIPLE SDI INPUT | Up to 4 x 1080p60 (3G SDI Level A only) | ||||
MULTIVIEW DISPLAY | via Multi ISO Input Mode | ||||
INPUT SWITCHING | Supported | ||||
Supported Media | |||||
MASTER CADDY I | Not Supported | ||||
MASTER CADDY II | Supported – Not supported with AtomX CAST or Atomos Connect Accessories attached | ||||
MASTER CADDY III | Supported | ||||
SSDMINI | Supported (AtomX SSDmini Handle required) | ||||
CFAST 2.0 | Not Supported | ||||
FILE SYSTEM | exFAT | ||||
INTERFACE | SATA 3.0 | ||||
On-Screen Tools | |||||
WAVEFORM | 3 Sizes – Adjustable Opacity & Brightness | ||||
RGB PARADE | 3 Sizes – Adjustable Opacity & Brightness | ||||
VECTOR SCOPE | 2 Sizes – Adjustable Opacity & Brightness | ||||
1 X ZOOM | Tap to Zoom | ||||
2 X ZOOM | Tap to Zoom | ||||
FOCUS PEAKING | 3 Modes (Color, Black & White, Outline) with adjustable Outline Color & Peaking Intensity | ||||
ZEBRA | Adjustable Threshold (50% to 105%) | ||||
ISOLATE COLOUR CHANNEL | Blue Only | ||||
CINE FRAME GUIDES | 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3 | ||||
SOCIAL FRAME GUIDES | 9:16, 1:1, 1.91:1, 4:5 | ||||
SAFE AREAS | SMPTE Safe Title Area – 93% & 90% | ||||
GRID MARKERS | 9 Grid | ||||
ANAMORPHIC DESQUEEZE | 2x, 1.8x, 1.5x, 1.33x, 1.25x | ||||
DISPLAY FLIP | Vertical | ||||
COLORIZED EXPOSURE | Atomos False Color | ||||
Onboard Signal Processing | |||||
4K UHD DOWNSCALE FOR HD | Available on loop out | ||||
DCI CROP | Available on loop out | ||||
6K RAW TO 4K VIDEO LOOP OUT | Available on loop out | ||||
INTERLACED TO PROGRESSIVE | 2:2 & 3:2 Pulldown | ||||
PSF TO PROGRESSIVE | 2:2 & 3:2 Pulldown | ||||
Remote Control | |||||
HDMI | Trigger Recording via Camera Record Button – Supported Protocols: Canon, Sony, Atomos Open Standard, Timecode (Rec Run) | ||||
SDI | Trigger Recording via Camera Record Button – Supported Protocols: Arri, Canon, Ikegami, JVC, Panasonic, RED, Sony, Timecode (Rec Run) | ||||
SERIAL 2.5MM JACK | Start & Stop Recording via compatible LANC Remotes – Calibration via optional USB to Serial Cable | ||||
Cut & Tag | |||||
FCP XML | Up to 10 Tags supported for each Clip & Multicam with Transitions in FCP XML | ||||
Supported Applications | |||||
XML | Apple Final Cut Pro (.fcpxml) | ||||
APPLE PRORES RAW | Apple Final Cut Pro, Adobe Premiere, Avid Media Composer, Grass Valley Edius, ASSIMILATE SCRATCH, FilmLight Baselight | ||||
VIDEO CODECS | All NLE applications that support Apple ProRes & Avid DNx in .MOV Wrapper | ||||
