Specifications
Size & Weight | |||||
|---|---|---|---|---|---|
WEIGHT | 360g | ||||
DIMENSIONS (W X H X D) | 151mm x 91.5mm x 31 mm | ||||
MOUNTING POINTS | Top: 1 x 1/4″-20 or 3/8″ with anti rotational points Bottom: 1 x 1/4″-20 or 3/8″ with anti rotational points | ||||
Environmental | |||||
OPERATING TEMPERATURE | Up to 40 degrees Celsius | ||||
Construction | |||||
BODY | Aluminium Alloy Chassis with ABS Polycarbonate Rear Enclosure | ||||
COOLING | Heat Sink + Actively controlled Fan | ||||
TALLY LIGHT | LED on the Rear of the Device | ||||
MULTI-FUNCTION BUTTON | Power / lock Screen | ||||
ATOMXPANSION SLOT | Integrated into Battery Slot | ||||
TOUCH SCREEN | Capacitive Touch | ||||
Power | |||||
OPERATING POWER | 10 – 22W | ||||
COMPATIBLE BATTERIES | 1 x NP-F / L-Series | ||||
INPUT VOLTAGE | 6.2V to 16.8V | ||||
BATTERY RUNTIME | 5200mAh: Up to 2 Hours 7800mAh: Up to 3 Hours | ||||
DC IN | Via locking DC Jack (5.5mm OD & 2.1mm ID) on Battery Eliminator | ||||
D-TAP | Via Battery Eliminator and optional D-Tap to DC-Barrel Cable | ||||
FAN CONTROL | Low, Medium, Auto / Turbo Cool / Dim Display | ||||
Display | |||||
TOUCHSCREEN | SuperAtom IPS panel (capacitive touch) | ||||
SIZE | 5.2″ | ||||
RESOLUTION | 1920 x 1080 | ||||
VIEWING ANGLE | 178 + H & V | ||||
PPI | 423 | ||||
BIT DEPTH | 10-bit (8+2 FRC) | ||||
BACKLIGHT TYPE | Edge lit | ||||
BRIGHTNESS (CDM2 / NITS) | 1000 | ||||
ASPECT RATIO | 16 : 9 | ||||
COLOUR GAMUT | Rec.709 | ||||
CALIBRATION SUPPORT | ATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus | ||||
Color Pipeline | |||||
GAMMA | Sony SLog / SLog2 / SLog3 Canon CLog / CLog2 / Clog3 Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600 Arri LogC4 Panasonic Vlog JVC JLog1 Red LogFilm / Log3G10 / Log3G12 FujiFilm Flog, PQ (HDR10) HLG Nikon N-Log Z CAM Z-Log2 Olympus OM-Log400 / Flat Leica L-Log | ||||
GAMUT | BT2020 DCI P3 PDCI P3 65 Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / DCI P3 / DCI P3+ Panasonic V Gamut Arri Alexa Wide Gamut Rec709 JVC LS300 Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut | ||||
3D LUT DISPLAY | .Cube Format (17 & 33 points supported) | ||||
3D LUT OUTPUT | Loop out | ||||
3D LUT 50/50 | Via Compare Option in LUT Menu | ||||
MONITORING MODES | Native / HLG / PQ / 3D LUT | ||||
HDR OUTPUT CONVERSION | Camera Log to HLG / PQ | ||||
Color Management | |||||
CALIBRATION | ATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus | ||||
DISPLAY CONTROLS | Backlight, Lift, Gamma, Gain | ||||
ATOMHDR | Built-in Technical Log to HDR EOTF | ||||
3D LUTS | Load .Cube files from SSD into 8 LUT Slots On-Device – Use for Monitoring, bake into Recordings (optional), or apply to HDMI / SDI Output Signals | ||||
LEGALIZE | Full to Legal Range Conversion available via Input Menu | ||||
Video Input | |||||
HDMI | 1 x HDMI (2.0) | ||||
SDI | 1 x 12G SDI (optional Atomos Connect Accessory required) | ||||
BIT DEPTH | 8/10-Bit for Video / up to 12-Bit for RAW | ||||
VIDEO CHROMA SUBSAMPLING | YCbCr 4:2:0 & 4:2:2 | ||||
HDR | HDMI Auto Detection | ||||
Video Output | |||||
HDMI | 1 x HDMI 2.0 | ||||
VIDEO CHROMA SUBSAMPLING | 4:2:2 | ||||
BIT DEPTH | 10-bit Video | ||||
Video Signal Conversion | |||||
SDI TO HDMI | Supported (optional Atomos Connect Accessory required) | ||||
Audio In/Out | |||||
AUDIO QUALITY | 24-Bit / 48kHz | ||||
AUDIO CODEC | PCM | ||||
HDMI | 8ch 24-Bit, Input dependent | ||||
SDI | 12ch 24-Bit, Input dependent | ||||
ANALOG AUDIO IN | 3.5mm Jack | ||||
ANALOG AUDIO OUT / HEADPHONE JACK | 3.5mm Jack | ||||
AUDIO INPUT DELAY | Frame Delay on Analog Input + Automatic Offset Calibration via AtomOS | ||||
Resolution and Frame Rates (Record, Monitor & Playback) | |||||
6K RAW | up to 6Kp30 via HDMI & 6Kp30 via SDI (optional Atomos Connect Accessory required for SDI) | ||||
4K RAW | up to 4Kp60 via HDMI / SDI (optional Atomos Connect Accessory required for SDI) | ||||
3.5K ANAMORPHIC RAW | up to 3.5Kp60 via HDMI | ||||
2K RAW | up to 2Kp240 (optional Atomos Connect Accessory required for SDI) | ||||
4K DCI | up to 4Kp60 | ||||
4K UHD | up to UHDp60 | ||||
2K DCI 2048 X 1080 | up to 2Kp60 (optional Atomos Connect Accessory required for SDI) | ||||
FHD 1920 X 1080 PROGRESSIVE | up to 1080p120 | ||||
FHD 1920 X 1080 PSF | Only via Pulldown to Progressive | ||||
FHD 1920 X 1080 INTERLACED | 1080i50 / 1080i60 | ||||
1280 X 720P | up to 720p60 | ||||
Recording Codecs | |||||
APPLE PRORES RAW | ProRes RAW & RAW HQ | ||||
APPLE PRORES | HQ, 422, LT | ||||
AVID DNXHD | 220x, 220, 145, 36 (.MOV Wrapper – .MXF Support coming soon) | ||||
AVID DNXHR | HQX, HQ, SQ, LB (.MOV Wrapper – .MXF Support coming soon) | ||||
H.265 | XQ, HQ, MQ, LQ (.MOV Wrapper) | ||||
Recording Functions | |||||
CAMERA TO CLOUD | H.265 uploaded to Atomos Edit, Adobe Frame.io, Sony CI Media (optional Atomos Connect Accessory required) | ||||
SIMULTANEOUS PROXY RECORDING | ProRes RAW / ProRes / DNx + H.265 Proxy in C2C Mode (optional Atomos Connect Accessory required) | ||||
PRE-ROLL RECORDING | 8s HD / 2s 4K – ProRes & DNx only | ||||
TIMELAPSE | Supported | ||||
GANG CONTROL | Via AirGlu™ SYNC Timecode Network (optional Atomos Connect Accessory required) | ||||
SCHEDULED RECORDING | At specified Time of Day or after a specified Time has elapsed | ||||
Playback | |||||
PLAYLIST | Selected Clips, Favorites, or Combined | ||||
LOOP | Supported, with user-customizable In / Out Markers | ||||
APPLE PRORES RAW | Yes, Recorded clips only | ||||
APPLE PRORES | HQ, 422, LT (Linear PCM Audio only) | ||||
AVID DNX | DNxHD: 220x, 220, 145, 36 DNxHR HQX, HQ, SQ, LB (Linear PCM Audio only) | ||||
H.265 | Recorded clips only | ||||
SCHEDULED PLAYBACK | At specified Time of Day or after a specified Time has elapsed | ||||
Multi Input / Switching | |||||
MULTIPLE HDMI INPUTS | Supported (optional AtomX CAST Switching Dock required) | ||||
MULTIVIEW DISPLAY | Supported (optional AtomX CAST Switching Dock required) | ||||
MULTIVIEW OUTPUT | Supported (optional AtomX CAST Switching Dock required) | ||||
PICTURE IN PICTURE (PIP) | Supported (optional AtomX CAST Switching Dock required) | ||||
GRAPHIC OVERLAYS | Supported (optional AtomX CAST Switching Dock required) | ||||
MEDIA POOL STORAGE | 8 PNG Overlays (optional AtomX CAST Switching Dock required) | ||||
INPUT TRANSITIONS | Fade to White or Black (optional AtomX CAST Switching Dock required) | ||||
Supported Media | |||||
MASTER CADDY I | Not Supported | ||||
MASTER CADDY II | Supported – Not supported with AtomX CAST or Atomos Connect Accessories attached | ||||
MASTER CADDY III | Supported | ||||
SSDMINI | Supported | ||||
CFAST 2.0 | Supported via optional AtomX CFast 2.0 Adapter | ||||
NETWORK | Capture to Cloud via Atomos Cloud Studio (optional Atomos Connect Accessory required) | ||||
FILE SYSTEM | exFAT | ||||
INTERFACE | SATA 3.0 | ||||
On-Screen Tools | |||||
WAVEFORM | 3 Sizes – Adjustable Opacity & Brightness | ||||
RGB PARADE | 3 Sizes – Adjustable Opacity & Brightness | ||||
VECTOR SCOPE | 3 Sizes – Adjustable Opacity & Brightness | ||||
1 X ZOOM | Tap to Zoom | ||||
2 X ZOOM | Tap to Zoom | ||||
FOCUS PEAKING | 3 Modes (Color, Black & White, Outline) with adjustable Outline Color & Peaking Intensity | ||||
ZEBRA | Adjustable Threshold (50% to 105%) | ||||
ISOLATE COLOUR CHANNEL | Blue Only | ||||
CINE FRAME GUIDES | 6 Presets & Custom Frame Guide Calculator | ||||
SOCIAL FRAME GUIDES | 4 Presets & Custom Frame Guide Calculator | ||||
SAFE AREAS | SMPTE Safe Title Area – 93% & 90% | ||||
GRID MARKERS | 9 Grid | ||||
ANAMORPHIC DESQUEEZE | 2x, 1.8x, 1.79x, 1.65x, 1.6x, 1.5x, 1.33x, 1.25x | ||||
DISPLAY FLIP | Vertical | ||||
COLORIZED EXPOSURE | Atomos False Color, EL Zone System, Arri False Color | ||||
FRAME GRAB + ONION SKIN OVERLAY | Capture lossless 1920 x 1080 Pixel Frame Grab & Overlay with various Position + Transparency Options | ||||
Onboard Signal Processing | |||||
4K UHD DOWNSCALE FOR HD | Available on loop out | ||||
DCI CROP | Available on loop out | ||||
INTERLACED TO PROGRESSIVE | 2:2 & 3:2 Pulldown | ||||
PSF TO PROGRESSIVE | 2:2 & 3:2 Pulldown | ||||
Remote Control | |||||
HDMI | Trigger Recording via Camera Record Button – Supported Protocols: Canon, Sony, Atomos Open Standard, Timecode (Rec Run) | ||||
SDI | Trigger Recording via Camera Record Button – Supported Protocols: Arri, Canon, Ikegami, JVC, Panasonic, RED, Sony, Timecode (Rec Run) (optional Atomos Connect Accessory required) | ||||
SERIAL 2.5MM JACK | Start & Stop Recording via compatible LANC Remotes – Calibration via optional USB to Serial Cable | ||||
BLUETOOTH LE | Via AtomRemote App (optional Atomos Connect Accessory required) | ||||
WIRELESS RF | AirGlu™ Gang Control (optional Atomos Connect Accessory required) | ||||
External Device Control | |||||
SERIAL 2.5MM JACK | Z CAM Camera Control via Remote to USB-C Cable | ||||
Cut & Tag | |||||
FCP XML | Up to 10 Tags supported for each Clip | ||||
Supported Applications | |||||
XML | Apple Final Cut Pro (.fcpxml) | ||||
APPLE PRORES RAW | Apple Final Cut Pro, Adobe Premiere, Avid Media Composer, Grass Valley Edius, ASSIMILATE SCRATCH, FilmLight Baselight | ||||
VIDEO CODECS | All NLE applications that support Apple ProRes, Avid DNx and H.265 in .MOV Wrapper | ||||
